What is the Difference Between AC and DC :: electricity electric current

What is Current. First off, what is current. Current is expressed in a unit called Amps. Amps are a measurement of how many electrons pass per second. That is to say, a wire with 40 coulombs passing any point in a 2 seconds would be said to have 20 Amps of current (40 Coulombs (a unit of charge given as 6.24x1018 electrons) / time in seconds or in this case, 2 seconds. The Amp is also known as Coulombs per second) Another trick about current is that it is measured in the movement of the positive charge. Literally that is to say the current moves in oppostion to the electrons. This is because originally it was thought that the positive charge is what moved, both are viable, but in reality a positive charge is generally fixed since within an atom the electrons are migratory, while the protons and neutrons tend to be stationary. What is AC/DC? AC and DC literally stand for Alternating Current and Direct Current. Direct Current is very convenient and is used in many modern day utilities. For a circuit with DC the current is constanly in one direction, while the voltage remains constant. This makes for a simplistic circuit, for example a flashlight, The batteries are a source of electrochemical DC power and . However AC is called Alternating Current because the voltage changes from negative to positive a given number of times a second, this is also described as the frequency of the power. An example of this would be a motor ran by a hand crank. The inversing of charges creates a sinusoidal graph which looks something like figure 1 (given in radians). This makes for an unsteady power source and can often times be warped from the sinusoidal shape. So the main difference between AC and DC is the way the energy is transmitted. Why are we using Alternationg Current today? There are a few reason although mainly it was due to the technology of the late 1800's and early 1900's. Nikola Tesla being one of the leading scientists for Alternating Current, created a way to run engines and also convert AC Volts and Amps. He came up with this while he was supposedly in a park in Budhapest. He sat down and drew out the basic diagram of a motor run by a magnetic flux.

Is Any Body Out There? Essay

‘The machine is not an it to be animated, worshipped, and dominated. The machine is us, our processes, an aspect of our embodiment. ’ (Haraway, 1991: 180) My paper starts with the recognition that Information, Communications and Telecommunication technologies (ICTs) are certain to play a central role in defining who we are, how we think and how we relate to one another. The guiding principle for my work, is that although change is an inevitable result of the conjunction between people and technology, the nature and extent of human intervention profoundly influences its shape and character. What I believe to be important changes in the nature of the body, subjectivity and identity are the key concerns of this paper. I want to explore these terms and the debates surrounding them with particular reference to developments in ICTs. Rather than focus on more esoteric examples of technological development, I will restrict my discussion to the Internet and computer games. My theoretical touchstones for this discussion are feminism and postmodernism, primarily because they have both been implicated and implicit in discussions of cyberculture and the possibility of social change that it represents. Postmodernism, that most polysemic of terms, seems nevertheless to be discussed along a continuum between the utopian and dystopian, particularly when considering the possibilities for social change. Whichever reading is made of the term, notions of profoundly fragmented subjectivities and identities appear almost as constants. This seems particularly apparent in feminist responses to postmodernism. Feminists have broadly read postmodernism as either a threat to feminist social criticism or an opportunity for the questioning and contestation of notions of gender and sexuality (presenting the possibility of re-inscription of the body in post-gender terms). Baudrillarian postmodernism sees the collapse of our referential universe, including its hierarchies and inequalities, as offering little hope for social criticism and change. This is a problematic position for much feminist thought, because of feminism’s identification of clear oppressive structures that can only be changed by unified social action by women. For Baudrillard, the descent into a mediated hyperreality offers us only the politics of refusal (to act) and the pleasures of the spectacle. In a short article, published in Liberation, he suggests that developments in media technologies have resulted only in ‘panic and resentment’, transforming us into ‘free radicals searching for our molecules in a scanty cyberspace’ (Baudrillard, 1995: 2). Here we have a clear sense of our corporeal bodies exchanged for atomised virtual bodies in what we might think of as life behind the screen. Although Baudrillard has not written specifically of the Internet, he has clearly indicated a belief that media technologies have accelerated the transition form the ‘real’ to the ‘hyperreal’. Baudrillard’s assertion that the ‘Gulf War never happened’ is his most memorable and misconstrued example of media induced hyperreality2. Following Baudrillard, Mark Nunes has suggested that an element of this shift to hyperreality has been the erosion of the realm of representation and the establishment of a mode of simulation. This new mode has produced, in cyberspace, an ‘increasingly real simulation of a comprehensible world’ (Nunes, 1995: 5). In The Ecstasy of Communication (1988), Baudrillard outlined the fate of the ‘real’, with particular reference to our corporeal bodies and their associated subjectivities and identities: â€Å"As soon as behaviour is focused on certain operational screens or terminals, the rest appears as some vast, useless body, which has been both abandoned and condemned. The real itself appears as a large, futile body. † (Baudrillard, 1988) For Baudrillard, the virtual world we are coming to inhabit is far from the global village envisioned by Marshall McLuhan in the late 1960s (McLuhan and Fiore, 1967). The rather comforting term, global village, was grounded in the assumption that ICTs would act as ‘extensions of man’ and serve to expand our knowable world and increase global interdependence. Baudrillard’s cyberspace is a colder, more desolate space, where information has no meaning because it has been dislocated from its referential universe. In an article on global debt, Baudrillard claims that information about debt is meaningless because the debt can never be repaid. However, whilst having no financial meaning, the spectre of debt still has a purpose: â€Å"It has no meaning but that of binding humankind to a destiny of cerebral automation and mental underdevelopment. † (Baudrillard: 2) For Baudrillard, both global debt and global media are so pervasive that they deaden any attempts at social change. There is too much to watch and to worry about to lift our heads from the screens and contemplate progressive social change. This pessimistic postmodernism hardly seems to offer a productive base for the re-definition of identities and subjectivities central to feminist theorising. One of the difficulties with this strand of postmodernism is the seemingly totalising belief in fragmentation and alienation which it asserts, whilst dismissing totalising explanatory categories such as race, gender, ethnicity and class. Such categories of inequality have until recently been seen as both the impediments to progressive social change and the means by which to agitate for such change. Baudrillarian postmodernism seems to sweep away these tools for liberation and domination. As Mark Poster has suggested: â€Å"The postmodern position is limited to an insistence on the constructedness of identity. In the effort to avoid the pitfalls of modern political theory, then, postmodern theory sharply restricts the scope of its ability to define a new political interest. † (Poster, 1995: 2). Anyone interested in progressive social change must surely ask if the transition to a simulated virtual world is really so contingent on a loss of value and meaning? To restate the question: is there anything left beyond Baudrillard’s morose fatalism? Many of those staking their claims on the electronic frontier of the Internet see themselves engaged in the construction of value-laden (and decidedly masculine) virtual worlds predicated on existing notions of subjectivity, identity and wider democratic concerns. Few pioneers of the Internet lack a sense of meaning and purpose. For instance, Mitch Kapor, founder of the US-based Electronic Frontier Foundation3, has little doubt about the guiding principles of the Foundation’s vision of cyberspace: â€Å"Life in cyberspace †¦ at its best is more egalitarian than elitist and more de-centred than hierarchical †¦ In fact, life in cyberspace seems to be shaping up exactly how Thomas Jefferson would have wanted: founded on the primacy of individual liberty and commitment to pluralism, diversity and community. † (Kapor in Nunes, 1995: 7) Kapor’s assessment of cyberspace is deeply contradictory. We are first offered a vision of a de-centred and egalitarian virtual space, then this is overlain with a Western (more accurately, North American) view of democracy based solidly on the primacy of the individual (neat shorthand for capitalist social organisation). Kapor’s vision seems to belie the supposedly fragmented and schizophrenic domain of cyberspace, which Baudrillard puts forward. Citizens of the Internet appear to be taking their cultural and social baggage with them on their journey to the other side of the mirror. Although existing structures of inequality are, I would argue, becoming apparent in cyberspace4, they may be even more heavily contested than they have been in ‘real’ space. The Internet, because of its decentralised structure seems to militate against unified concepts of citizenship and community and presents a heterogeneity of subjectivities and identities. Whilst people may wish to transfer the more stable values of the real into the realm of simulation, such attempts are often contested5. Resistance is more likely because virtuality, almost by definition, reveals the constructed nature of subjectivities and identities. The case of Louise Woodward reveals the jarring effect of juxtaposing contradictory identities and positions. In the domain of cyberspace (enabled by the trans-frontier nature of satellite technology), the reduction of Woodward’s sentence was presented simultaneously with celebrations at the Rigger pub in the English village of Elton. Judging from the Internet discussion group provided by the local Boston newspaper, American opinion was deeply offended by the virtual co-presence of the jubilant villagers and their assumption of Woodward’s innocence. For many contributors to the American discussion, the villagers appeared to be ‘dancing on the grave’ of a dead child. Before the advent of instantaneous cross-cultural communication such juxtapositions would not have been possible. Virtuality offers this co-presence, but the reaction to it in this case, seems to support claims that such cultural encounters are replete with struggle and meaning, rather than free of them. A posting by Katie is typical of the angry and mystified response of many American contributors to the clash of co-present cultural identities. Without a Doubt, Louise Woodward *IS* Guilty! Guilty! Guilty! by Katie, 11/6/97 As I said in other postings†¦ Poor Louise Woodward†¦ she loved eight-month old, innocent Matthew Eappen†¦ so she wrote to her family and friends back in England†¦ she did not see Matty hurt his head she testified teary eyed†¦ but smiled broadly and gave a little laugh when next she was asked if she slammed Matty’s head. Poor Louise. Woodward†¦ 27 seconds after the guilty verdict was announced she became hysterical†¦ (aah!how sad, she is just a child, such injustice, cried Geraldo, Gibson, and the like)†¦ her hysterics lasted all of 118 seconds†¦ minutes later she left the courtroom unassisted, composed, and dried eyed. Poor Matthew Eappen†¦ the media decided to focus on poor Louise Woodward. In the realm of cyberspace we become arbiters of the identities and positions paraded before us. Of course, our existing cultural ties have a considerable impact on who we choose to identify with us, but we cannot ignore the co-presence of other identities, which call into question the construction of our own. Texter has identified the Internet as the first stage in the construction of a virtual reality, towards the manufacture of identity without the corporeal body: â€Å"The social construction of the body becomes clear in cyberspace, where every identity is represented [for Baudrillard, simulated], rather than ‘real’. The consensus of cyberspace is a precarious one; identification is entirely contingent, based on a consensual agreement to take one’s word for it. † (Texter, 1996: 3) Texter suggests identity in cyberspace is often about ‘passing off’, offering up a fluid sense of self, projected onto an imaginary virtual body. As a slight corrective, I think it is important not to exaggerate the difference between the creation of real world identities and virtual ones. Judith Butler contends that the constitution of identity (with particular reference to gender) is always something of an unstable and contradictory performance, whether simulated or real: â€Å"Gender ought not to be construed as a stable identity or a locus of agency from which various acts follow, rather, gender is an identity tenuously constituted in time, instituted in an exterior space through a stylised repetition of acts. † (Butler in Texter, 1996: 4) Perhaps what the Internet does, by removing the visual cues that partly gender us, is open up possibilities for experimentation and play with existing manifestations of subjectivity. Here, the work of Dona Haraway is particularly important. Haraway’s influential Cyborg Manifesto (1985) has inspired other cyber-feminists, such as Sadie Plant, to foresee a post-gender future where existing boundaries and categories no longer have the profound structuring effects that have resulted in gender inequalities under patriarchy. Haraway’s work marks a profound break with feminist thought that posits a unified category of ‘women’, who can only be liberated by the development of collective consciousness and action. â€Å"There is nothing about being female that naturally binds women. There is not even such a state as ‘being’ female, itself a highly complex category constructed in contested social-scientific discourses and other social practices. † (Haraway in Keen: 1) Haraway’s profoundly anti-essentialist analysis rests on the notion of the cyborg, an entity based on the conjunction between technology and our selves. Haraway contends that we are ‘all cyborgs now’, because of our immersion in, and dependence on, techno-culture. She does not mean to suggest that we are robots in the Science Fiction sense, but that the relationship between people and technology is so intimate, that it is hard to tell where machines and people end and begin. As an example of our close relationship with technology, try to wrestle the TV remote control away from its regular user (who is also often, coincidentally, the male ‘head of the household’). For Haraway, we have come to see our bodies as high-performance machines that must be monitored and added to by technological innovation. Given that the boundaries between the natural and the technological have collapsed, then so have the assumptions that cluster around these terms. For instance, the belief that women are ‘naturally’ passive, submissive and nurturing can no longer be sustained in the era of the cyborg. The cyborg displays a ‘polymorphous perversity (Haraway in Kunzru, 1997: 4), and in conjunction with technology constructs identity, sexuality and gender as it pleases. Haraway has little time for either techno-utopians or the knee-jerk techno-phobia she sees in some feminist thought. She urges women to become part of networks (such as the Internet) that constitute the cyborg world. However, her ideas of connectivity should not be taken to equate with existing concepts of community based on the model of organic family. For her, the cyborg has no fear of ‘partial identities and contradictory standpoints’ (Quoted in Keen: 2). What is not allowable in the cyborg world, is a call to arms around a unified notion of ‘women’ posed against an equally cohesive notion of ‘men’. Butler’s work on the performative nature of gender reaches many of the same conclusions, regarding the category of ‘women’ central to much feminist thought as limiting and exclusive. She argues that feminist theory â€Å"has taken the category of women to be foundational without realising that the category effects a political closure on the kinds of experiences articulable as part of feminist discourse. † (Butler in Nicholson (Ed. ), 1990: 325) Post-structuralist feminism has long attempted to question the essentialising concept of gender in feminist thought, but some writers have been wary of jettisoning gender as a unifying and explanatory category for the nature of women’s oppression. Angela McRobbie, who is by no means hostile to postmodernism or post-structuralism, has expressed the tension poignantly, in a discussion of the nature of identity: â€Å"On the one hand, it is fluid, never completely secured and constantly being remade, reconstructed afresh. On the other hand, it only exists in relation to what it is not, to the other identities which are its other. † (Quoted in Texter, 1995: 18) I broadly accept McRobbie’s argument that any re-definition of identity needs something to define itself against. I would further argue that our existing tools for the construction of identities are drawn from often narrow and predictable paradigms, particularly when commercial considerations become part of the process. In my concluding section I would like to offer an example of how the structuring effects of gender seem to be still very apparent in the more mainstream sectors of cyberspace. Two computer games have secured huge followings in the last couple of years. Both are touted as offering virtual reality experiences (although without the headsets and gloves of experimental virtual reality). Quake and Tomb Raider are available across a variety of computer and video game platforms and both render quite ‘real’ simulated virtual worlds to explore and three-dimensional adversaries to shoot at6. My first example, Quake, presents us with a subjective view of our virtual world. Screen-shot: the view through your eyes. We, as the heavily armed protagonist, are able to freely roam through this world. All we see of our virtual self is the end of whichever weapon we have selected. In Quake we see the virtual world through our own eyes. When we are low on energy we hear our breathing become laboured. When we are killed we view the world from a prone position (our subjectivity seems to survive death) until the text ‘Game Over’ appears. The sound of our breathing and the grunts that emanate from us are decidedly masculine. Quake offers us an uncomplicated masculine gender identity based on the idea of identification with a male protagonist who drives the narrative towards a possible (although not inevitable) resolution. Quake closely conforms to the observations made by Laura Mulvey on the dominance of the male gaze in narrative cinema. Mulvey, writing in the early 1970s, suggested that Hollywood Cinema routinely places the active male at the centre of the narrative and invites us to identify with this character, which through force of personality, brings about narrative resolution. It is somewhat depressing to note that the virtual reality offered by Quake is such an unreconstructed one. The fit with Mulvey is very close: â€Å"As the spectator identifies with the main male protagonist, he projects his look onto that of his like, his screen surrogate, so that the power of the male protagonist as he controls events coincides with the active power of the egoistic look, both giving a satisfying sense of omnipotence. † (Mulvey in Easthope and McGowan, 1992: 163) In Quake identification is aided by the conflation of the male protagonist with our selves, perhaps even intensifying our ‘satisfying omnipotence’. Even if we read Quake ‘against the grain’ in a Barthesian sense (as some of my women friends do), it is hard to argue that this commercial manifestation of virtual reality offers us anything but a very clear, uncomplicated subject position to inhabit. What we do not get with Quake, is much space within the text to contest existing gender categories. My second example, Tomb Raider, offers a much more ambivalent experience. In this game, the main protagonist is a heavily armed female character identified as Lara Croft. Unlike in Quake, Lara is represented on-screen. She is modelled in the Anime style that originated in Japanese ‘graphic novels’ and animations. Lara, as can be seen from the screen shot below, is both attractive and physically powerful. Screen-shot: Lara Croft on-screen A number of my female students raised the issue of Tomb Raider in a discussion on the gendering of video games and said that they regularly played the game and found it an empowering experience (partly because of the novelty of having a female protagonist to identify with). Having played video and computer games since the late 1970s I was interested by the notion of a game that seemed to contradict the usual masculine gendering usually found within this medium. Although Lara does drive the narrative, she is also heavily eroticised. We control her movements and identify with her, but she is also the object of our gaze7. Mulvey suggests that female characters in narrative cinema often halt the narrative flow (Mulvey in Easthope & McGowan, 1992: 163) for moments of ‘erotic contemplation’. Initially, the active narrative role of the protagonist in Tomb Raider seems to defy this, but the game does encourage us to gaze at Lara ‘though male eyes’. We can manipulate our view of the character to see her from a range of angles using movements of the frame that closely resemble cinematic zooms, tracking shots and pans. These features make the game-play rather clumsy but allow us to fetishise the protagonist. As Mulvey comments on narrative cinema: â€Å"[This fetishism] builds up the physical beauty of the object transforming it into something satisfying in itself. † (Ibid. 165) This perhaps explains why, when I first played the game, I spent some time making Lara perform a variety of acrobatic manoeuvres that were far removed from the task of killing adversaries. The ambivalence in Tomb Raider lies in the unusual tension between its basis in the male gaze and its simultaneous identification with an active female protagonist. That my female students felt empowered by, and attracted to, Tomb Raider, suggests it does mark a shift in conceptions of subjectivity and identity. However, this shift is not total and still appears to be rooted in existing gender definitions. Whilst some of the claims of cyber-feminism seem overstated, and rather too willing to claim the existence of a virtual space where traditional dualisms and hierarchies have collapsed, virtuality may offer new sites for contestation and the expression of difference. Indeed, in a recent interview, Dona Haraway has suggested that technology is a value-laden area of contestation rather than a blank screen to be straightforwardly inscribed with new subjectivities and identities: â€Å"Technology is not neutral. We’re inside of what we make, and it’s inside of us. We’re living in a world of connections and it matters which get made and unmade. † (Haraway in Kunzru: 1997: 6) I am conscious of having steered a fairly delicate and cautious course through the hazards and attractions of structuralism, post-structuralism and postmodernism throughout this paper. I recognise that the body is becoming an increasingly contested site of theoretical debates and diverse social and cultural practices. The erosion of subjectivities and identities seems to be closely bound up with the heightened sense of mediation and virtuality that inflects the way we view the world, and equally importantly, how it views us. Postmodernism helps us trace the shifts from unified to fragmented subjectivities and identities, but it is a poor tool for investigating the possibilities of social change and identifiying the barriers to it. I have tried to show how the tools of structuralism still have salience, even when applied to the texts of cyberspace. It would perhaps be convenient to wish away the seemingly intractable hierarchies posited by structuralism, but to do so might also lessen the space for cohesive social criticism and unified political action. This is clearly a tension felt by many feminists and certainly not one I have managed to resolve in this paper. What I hope I have done, is to point out the necessity of retaining some existing explanatory categories, whilst recognising the need for constant reflection on, and reaction to, changing subjectivities and identities both in the ‘real’ world and the emerging virtual world. If Baudrillard is proved right, and we do eventually come to exclusively inhabit a rather hyperreal and schizophrenic virtual world, the need for critical engagement will surely be more vital than ever, however difficult and contradictory such critical practice might prove to be. Notes 1 Much writing on subjectivity and identity in cyberspace uses marginal practices as illustrative examples. I think this focus on what might fairly be called an avant-garde often descends into futurology. The mainstream may not be as exotic, but it is where most of us live, and will live, in the future. 2 What Baudrillard seems to have meant was that the Gulf War never happened for those of us in the West, beyond the simulated hyperreality of ‘surgical strikes’ and Cruise missiles with the ability to wait at traffic lights and avoid innocent civilians on the way to their targets. 3 The use of the term electronic frontier indicates powerful myths of male colonisation, the establishment of laws and the hierarchical regulation of behaviour. 4 According to UNESCO 95% of the world’s computers are located in advanced industrial countries and the ten richest countries have 75% of the world’s telephone lines. Networking and poverty seem to be effectively de-coupled at the moment 5 For example, the on-line group Guerrilla Girls are working against the masculine domination of cyberspace, albeit in a playfully aggressive and ironic manner. 6 Quake can be played across computer networks and has been held responsible for jamming up corporate networks in North America. 7 There are a number of Internet sites devoted to Tomb Raider. All of them contain numerous screen-shots of Lara Croft. On one site there were even a collection of images of Lara sans clothing, suggesting that male identification with Lara is rooted largely in objectification. Select Bibliography Note: Where publication dates are not listed this is because the material is drawn from Internet articles where such dates are absent. Internet addresses are given where known. †¢ Baudrillard, J (1988): ‘The Ecstasy of Communication’, Semiotext(e) (trans. Bernard Schutz & Caroline Schutze) †¢ Baudrillard, J (n. d. ): ‘Global Debt and Parallel Universe’, [WWW document] URL , first published in Liberation, Paris (trans. Francois Debrix). http://www. Ctheory. com/e31_global_debt. html †¢ Baudrillard, J (1994): ‘Plastic Surgery for the Other’, [WWW document] URL , Figures de l’alteritie (trans. Francois Debrix). http://www. Ctheory. com/a33-plastic_surgery. html †¢ Butler, Judith (1990): ‘Gender Trouble, Feminist Theory, and Psychoanalytic Discourse’ in Nicholson (Ed.) op. cit. , pp. 324-41 †¢ Easthope, A and K McGowan (Eds. ) (1992). A Critical and Cultural Theory Reader, Buckingham: Open University Press †¢ Haraway, Dona (1990): ‘A Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980s’. In Nicholson (Ed. ) op. cit. , pp. 190-234 †¢ Keen, Carolyn (n. d. ): On the Cyborg Manifesto, [WWW document] URL http://www. english. upenn. edu/~jenglish/Courses/keen2. html †¢ Kunzru, Hari (1997): ‘You are Cyborg’ in Wired, Issue 5. 02 †¢ McLuhan, Marshall and Quentin Fiore (1967): The Medium is the Massage. London: Penguin. †¢ Mulvey, Laura (1992): ‘Visual Pleasure and Narrative Cinema’. In Easthope and McGowan (Eds. ), op. cit. , pp 158-67 †¢ Nicholson, Linda J (Ed. ) (1990): Feminism/Postmodernism. London: Routledge †¢ Nunes, Mark (1995): ‘Baudrillard in Cyberspace: Internet, Virtuality, and Postmodernity’, http://www. dc. peachnet. edu/~mnunes/jbnet. html †¢ Pesce, Mark (n. d. ): ‘Proximal or Distal Unity’, Cyberconference Home Page, http://www. hyperreal. com/~mpesce †¢ Poster, Mark (1995): Cyber Democracy: The Internet and the Public Sphere http://www. hotwired. com/wired/3. 11/departments/poster. if. html. †¢ Sawchuk, K A (1995): ‘Post Panoptic Mirrored Worlds’, Ctheory, [WWW document] URL http://www. Ctheory. com/r-post_panoptic_mirrored. html †¢ Steffensen, Jyanni (1996): ‘Decoding Perversity: Queering Cyberspace’, Parallel Gallery and Journal, http://www. va. com. au/parallel/parallel@camtech. com. au †¢ Steinbach, J (n. d. ): ‘Postmodern Technoculture’, http://omni. cc. purdue. edu/~stein/techcult. htm †¢ Texter, W (1996): ‘†I May be Synthetic, but I’m not Stupid†: Technicity, Artifice and Repetition in Cyberville’, http://www. texter. com/Textual/thesis. html December 1997 †¢ E-mail the author: spittle@uce5. u-net. com.

Conjugating Grandir (to Grow) in French

Grandir is just one French verb that means to grow. Its an easier word to remember than  croà ®tre  (to grow), especially if you associate it with the English grand. This is a very useful word to know and youll want to understand how to conjugate it to mean growing or grew. Conjugating the French Verb  Grandir​ Verb conjugations help us transform a verb into a particular tense, such as the past, present, or future. In French, this is done by adding infinitive endings to the verb stem, but theres a catch. Not only does the ending change with each tense, it also changes with each subject pronoun. That means you have more words to memorize, but with a little practice, its not too bad. Luckily,  grandir  is a  regular -IR verb  and it follows a common pattern in the conjugations. For instance, in the  je  and tu  present tense, an -s  is added to the verb stem  grand-. This gives use je grandis and tu grandis, which mean I am growing or you grow respectively. For the future tense of  nous, -irons  is added to create nous grandirons, a simple way of saying we will grow. Subject Present Future Imperfect je grandis grandirai grandissais tu grandis grandiras grandissais il grandit grandira grandissait nous grandissons grandirons grandissions vous grandissez grandirez grandissiez ils grandissent grandiront grandissaient The Present Participle of  Grandir The  present participle  of  grandir  is  grandissant. This is not only a verb, but can become an adjective, gerund, or noun in certain contexts. The Past Participle and Passà © Composà © The  past participle  of grandir  is  grandi and it is used to form the past tense  passà © composà ©. To complete this, you must also conjugate the  auxiliary verb  avoir  to fit the subject pronoun. For instance, I grew is jai grandi and we grew is nous avons grandi. More Simple  Grandir  Conjugations to Learn Those are the most important verb conjugations of  grandir  and should be the priority of your studies. As your French improves, youll find a  use for a few more forms.   In conversation, if you want to imply that the action of growing is somehow questionable, turn to the subjunctive verb mood. Similarly, the conditional verb mood says that the growth is dependent on something else.   If you read much French, you will surely encounter the passà © simple tense of  grandir. It -- along with the imperfect subjunctive  -- is a literary tense and learning (or, at least, recognizing) these will help your reading comprehension. Subject Subjunctive Conditional Pass Simple Imperfect Subjunctive je grandisse grandirais grandis grandisse tu grandisses grandirais grandis grandisses il grandisse grandirait grandit grandt nous grandissions grandirions grandmes grandissions vous grandissiez grandiriez grandtes grandissiez ils grandissent grandiraient grandirent grandissent The imperative verb form is used for short demands and requests. In keeping with this brief statement, simplify it and do not include the subject pronoun: use grandis rather than tu grandis. Imperative (tu) grandis (nous) grandissons (vous) grandissez

Sympathy for Two Characters in Brave New World Essay

Sympathy for Two Characters in Brave New World Bernard Marx and John the savage are both outcasts in their societies. Haunted by their own inadequacies and inability to fit in. They are the two characters in Brave New World whom, for numerous reasons and in many ways, the reader can feel the most sympathy for. Bernards physical appearance was one of his main insecurities and so he can be sympathised with because of it. As an Alpha male, society expected him to be taller, better looking and more masculine than he was. Bernard therefore had felt throughout his life he had to prove himself to be a true Alpha and to try and ignore the rumours about him. Fanny said, P36 They say somebody made a mistake, when he was still†¦show more content†¦This is mainly because society isolated him and that had a huge effect on his character and he can be pitied because of that. He is very selfish when he throws John into society and uses him for his own satisfaction but yet he can be sympathised with because of his selfishness. In a desperate attempt to become normal in society he calls John the Savage like everyone else and treats him with the same level of disrespect. John therefore loses respect for Bernard, which is a change from the first opinion he had of Bernard - which was that he was different like himself, to someone that was just the same as the others and not worth his time. That is known when John does not appear at Bernards party and Bernards unhappiness and anguish afterwards is known in these lines, P144 What should have been the crowning moment of Bernards whole career had turned out to be the moment of his greatest humiliation. He had tried to elevate himself, to become accepted in a society that shunned him, by using the savage, but it had backfired and therefore the reader can sympathise. Not only had he lost the respect of his peers and fellow Alphas, but also he had lost the respect of someone who was, in many ways, so similar to him. Bernard can be pitied immensely for his ability to sense, see and appreciate things of beauty and as he could value and enjoy hisShow MoreRelatedAldous Huxley s Brave New World1564 Words   |  7 Pages Envision a world where everybody is happy, there is no sorrow or suffering, no fear of death, no misery, everything is pleasant, and the government doles out happy pills, known as Soma. Aldous Huxley’s novel â€Å"Brave New World† describes this world. Is everyone truly happy, and what do the citizens sacrifice in exchange for living in this utopia? Huxley helped shape the modern mind with provocative theories about humankind s destiny, and he was concerned with the possible social and moral implicationsRead MoreThe Awakening Critical Analysis1596 Words   |  7 PagesToday, this novel is a famous classic, read in many schools, and praised by many feminist. Readers can easily surmise the story’s theme: finding one’s identity is not easy. The character s and the setting in this novel contribute to Edna finding her identity and it is referred as her â€Å"awakening†, through which she sees the world differently. From the beginning of the novel, the reader can see that the story’s title is in keeping with the story’s theme. Edna Pontellier reaches a point in her lifeRead MoreBrave New World By Aldous Huxley1525 Words   |  7 PagesA Brave New Feminist The novel Brave New World written by Aldous Huxley in 1932 is known for its social satire, utopian values, and unusual standpoints on stereotypical gender roles. In this time where futuristic technology has completely taken over, and men and women are given the same opportunities for everything, â€Å"the genders appear equal within the social order; both men and women work at the same jobs, have equal choice in sexual partners, and participate in the same leisure pursuits† (MarchRead MoreSummary Of Brave New World 1398 Words   |  6 PagesBrave New World Chapter Abstract: are short descriptions of events that occur in each chapter. They highlight major plot events (what is happening in the story) and detail the important relationships and characteristics of characters and objects (who is in these chapters and what are they doing). Chapter 1 2: The novel opens in the Central London Hatchery and Conditioning Centre. The year is 632 A.F. (632 years â€Å"after Ford†). The Director of Hatcheries and Conditioning is giving some studentsRead MoreThe Tragedy of Macbeth by William Shakespeare Essay769 Words   |  4 PagesMacbeth is the leading character of Shakespeare’s The Tragedy of Macbeth, in which he struggles to deal with the consequences of his actions. Is he a Tragic Hero? His brutal actions make it very questionable, but yes, Macbeth is a Hero in his own Tragedy. There are positive connotations to being a tragic hero, the first being that in order to be one, the character must have one of the starring roles. It is obvious that Macbeth has a leading part in the play, since not only does it revolve aroundRead MoreSimilarities Between Dracula And Frankenstein1455 Words   |  6 Pagesa monster the character must possess an appalling appearance or personality. Monsters have heavily been prevalent throughout human history, striking fear into the hearts of people for centuries. In Mary Shelley’s Frankenstein and Bram Stoker’s Dracula Frankenstein’s monster and Dracula possess appalling personalities and exterior that attributes to their own unique monstrosity. They are both iconic monsters that have terrified people around the world for ages. However, they are two very differentRead MoreThe Scarlet Letter, By Nathaniel Hawthorne1505 Words   |  7 Pageswhich is demonstrated through its characters Hester Prynne, Arthur Dimmes dale and Roger Chillingworth. This main idea hailed from the author’s deep rooted puritanism. Hawthorne illustrated different levels of his main idea through his three characters. Each of the main characters are guilty of one kind of sin such as sin of adultery (Hester Prynne), sin of hypocrisy (Arthur Dimmesdale) and sin of vengeance (Roger Chillingworth). In this novel, the main character Hester Prynne has been punishedRead MoreEssay on The Rocky Horror Picture Show1654 Words   |  7 Pageslove scenes made a few laugh, a few cry, and left many disgusted. Yet just how many sweet transvestites could there be in the world; certainly Aldous Huxleys Brave New Worlds idealized social and sexual interaction could have influenced this Transelvanian utopia, however odd it may seem. Also, the more we document the differences between Huxleys creation and our world, be it in entertainment or real life the more similarities stand out. In regards to social interaction Huxleys ideas coincideRead MoreOthello Character Analysis1678 Words   |  7 PagesShakespeare, the Bard of Avon as he was known, left a great legacy for humanity in the world of drama. Shakespeare’s masterpieces and tragedies such as Hamlet, Othello, Macbeth, King Lear and Romeo and Juliet caused a remarkable turning point in English literature as whole, and English dram a in particular.His play Othellois one of his unforgettable tragedies. The play of Othello is the finest example of Shakespeare’s poetic and narrative style. Thus, Shakespeare is known as the most influential dramatistRead MoreDistinctively Visual1100 Words   |  5 Pagesthe preconceptions of the woman, the cats and her physical environment. This is evident in stanza one through Stewart’s use of visual imagery; ‘’broken shoes, slums weather stains’’ explaining to the reader the economic standing of the woman in the world and her physical being as she moves forward to feeding the cats. This is reinforced by the sibilance providing a striking visual image of the physical and economic hardship. However, in stanza 3 the woman is portrayed to be acquainted with respect

Economic Essay 1 - 1017 Words

Economic Essay 1 Although the people of North and South Korea speak the same language, they have many different ideas and cultures that have developed after the two countries split apart. The market economy of South Korea has done a lot to improve the overall economy of the country, and the gross national product has been on the rise. The economy of North Korea has had many challenges, largely due to the self-reliant and closed economic system that they use. Overall, the government and economy of South Korea has been more prosperous and successful than North Korea. Much of this is due to the fact that in North Korea, they have a completely closed and centrally planned economic system which tends to inhibit their growth. The fact†¦show more content†¦Export goods is minerals, metallurgical products, manufactures (including armaments), textiles, agricultural and fishery products. Main export partners is China 42%, South Korea 38% and India 5% (2008). Import goods is petroleum , coking coal, machinery and equipment, textiles and grain. Main import partners is China 57%, South Korea 25%, Russia 3% and Singapore 3% (2008). Gross external debt is $12.5 billion (2001 est.). For public finances, revenues is $2.88 billion and Expenses is $2.98 billion. For the market economy system in South Korea, there are many type of statistics. GDP is PPP: $1.423 trillion (2010 est.), Nominal: $986.3 billion (2010 est.). GDP growth is 6.1% (2010). GDP per capita is PPP: $30,200 (2010 est.), Nominal: $20,265 (2010 est.). GDP by sector is agriculture (3.0%), industry (39.4%), services (57.6%) (2008 est.). Inflation (CPI) is 2.8% (2009 est.). Gini index is 31.3 (2007). Labour force is 24.37 million (2009 est.). Labour force by occupation is agriculture (7.2%), industry (25.1%), services (67.7%) (2008 est.). Unemployment is 3.7% (2009 est.). Main industries is electronics, automobile production, chemicals, shipbuilding, steel, textiles, clothing, footwear, food processing and treatment. Ease of Doing Business Rank is 16th. For external, Exports is $373.6 billion (2009). Export goods is semiconductors, wireless telecommunicationsShow MoreRelatedEconomics Week 1 Essay830 Words   |  4 PagesWeek 1 Assignment - Critical Analysis Questions – Chapters 1 amp; 2 Matthew Philip Wee Grantham University Chapter 1 3a. What method is used to ration goods in a market economy? How does this rationing method influence the incentive of individuals to supply goods, services, and resources to others? 3a. The method that is used to ration goods in a market economy is the price mechanism. This rationing method influences the incentive of individuals to supply goods, servicesRead MoreCCOT 1 -Economic Activity Essay703 Words   |  3 Pagesï » ¿CCOT Eurasia developed an integrated network of economic activity by the year 1200 C.E.. 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Gender and Women Free Essays

Oppression is a word that is often misunderstood and misused. In Marilyn Frye’s article, Oppression, a central theme is created that focuses on male control, and how it is a form of oppression that affects the lives of women (Frye, 9). My reasons for agreeing with Frye’s argument that only women are oppressed as their own gender will be further discussed by focusing on how women are forced into particular roles. We will write a custom essay sample on Gender and Women or any similar topic only for you Order Now Additionally, I will explain how there is a mutual barrier of oppression where women are oppressed for the benefit of men, and how women will always be immobilized and degraded to benefit other groups regardless of their race or economic status. Frye defines oppression as often being thought of as the limitation or suffering of any human for any reason or cause. She argues that this statement is incorrect and highlights that humans can be miserable without being oppressed. Frye defines being oppressed as similar to being molded, immobilized and reduced by forces or barriers. She relates this concept to the â€Å"category† of women and how they are constantly caught between forces or barriers that are a disadvantage to them. It is explained that women, regardless of race, religion or economic status, will always be oppressed because â€Å"being a woman is significantly attached to whatever disadvantages and deprivations she suffers, be they great or small†(Frye, 16). Frye highlights that oppression is a double bind barrier in which one group will suffer for the betterment of the other. Men oppress women with a variety of different elements that collaboratively immobilize, reduce, and mold the lives of women. She concludes that women are oppressed as women, which adds limitations to what they can do in life, and men are not oppressed as men by shedding light on the fact that being a man is something that they have going for them (Frye, 9-16). It is clear that everyone, either male or female, acts a certain way around someone of the same sex, as opposed to someone of the opposite sex. Frye explains that both males and females have certain restraints on what behavior is acceptable for them, and how â€Å"women restraint is part of a structure oppressive to women and the men restraint is part of a structure oppressive to women† (Frye, 16). Women can act â€Å"un-lady like† when they are only around other women, however as soon as men are in the picture, a woman is expected to act a specific way. Men and women have grown up in different gender roles, where they do certain things and act in a certain way that differs from the other sex. Nonetheless, men seem to oppress women into certain roles so strongly that it results in men also having to live up to particular roles. If a woman is expected to sit up straight, then a man is expected to play the opposite role and slouch, to ensure their masculinity. If a woman is expected to eat healthy and stay slim, a man is expected to work out and get buff. By creating standards or roles that women have to live up to, men create social standards for themselves unintentionally. However this does not mean that they are oppressed, because men do not miss out on opportunities for being a male. Being able to recognize this difference is crucial. There are several ways in which men oppress women, in turn creating social standards for themselves without being oppressed. Frye uses the example of a man opening a door for a woman. At a microscopic level, it looks like the man is being polite, and removing a barrier for a woman to walk freely (Frye, 12). By simply opening the door for a woman who is capable of doing it herself, men are oppressing women as unable (Frye, 12). As a result, men create a new social â€Å"mold† for themselves, where they have to be a gentleman and ensure that they get to the door first. So does this mean that women oppress men? Fyre argues that there is a mutual barrier within oppression. For example, when looking at a prison, there is a barrier that separates the prisoners from citizens. The prisoners are restrained to ensure the safety of the citizens outside of the prison. These barriers take away from the freedom and liberty of the prisoners, while intensifying the freedom of the citizens (Frye 14). This scenario is similar to how men oppress women. Men sometimes believe that they are oppressed into the â€Å"mold† of masculinity, and are unable to be nurturing (Frye, 14). Nonetheless, men restrict themselves to this role in order to maintain their superiority, while women are oppressed into roles, which act as a huge disadvantage to them. As a result of being oppressed by men, women will always be immobilized and degraded to benefit another group. Although men are constrained by the oppression of women, women have to fit into a tighter mold. Frye underlines that one’s suffering is partly because one is a member of a specific category. In this case, being a woman is a huge factor that gets in the way of her everyday life (Frye, 16). McGinn (2012) explains that in the early 19th century, women were not expected to work and earn their own living. They rarely had careers, and most professions were refused to women and saved for men (McGinn, 2012). Today, women are allowed to work, and have an equal chance of getting the same jobs as males. However, there are underlying bias’ that affect a woman from being respected in the position as highly as a male. For example, a lot of individuals take male police officers more seriously than female police officers, even though they have the same qualifications. This is just one of many examples of how women are oppressed and further degraded in order to give men the role of being the more dominant sex. Frye’s argument on how women are oppressed as women and how men are not oppressed as men is indeed correct. Women are consistently degraded and shaped into particular roles, which benefit men and other social groups. Regardless of a women’s economic status, race, or culture, they will always be victimized for solely being a women. It is clear, that when looking at the barriers of oppression, that women are confined to the side that is oppressed, giving all dominance to the male sex. Future generations should work towards creating a more equal lifestyle between women and other social groups, allowing women to achieve roles in which they want to fulfill. How to cite Gender and Women, Papers

Cigarettes Harmful for Health free essay sample

Despite knowing that, millions of people smoke cigarettes every day. It is also a fact that cigarette companies, especially BAT, is one of the highest tax payers in Bangladesh, contributing a significant amount of money to the national revenue. Do you think cigarettes should be made illegal? Smoking cigarettes have become one of the popular habits of showing your manliness. Now days, not only men but also women are attracted to it. BAT is one of the international companies who sell millions and billions of cigarettes in the whole world. Though millions of people smoke cigarettes everyday, we can not abnegate the dark sides of it. As a result, I think cigarettes should me made illegal by the government as it is injurious to health. Besides it has adverse effect on economical condition and personal lives of the people. Moreover, the current laws of our country cannot ameliorate the condition. Cigarettes formerly known as cigars contain mainly tobacco. We will write a custom essay sample on Cigarettes Harmful for Health or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page It also has arsenic, formaldehyde, lead, hydrogen cyanide, nitrogen oxide, carbon monoxide, ammonia and 43 known carcinogens init. These are directly proved to produce Cancer cells in human body. Urea, a chemical compound that is a major component in urine, is used to add â€Å"flavor† to cigarettes. Again, the effects of smoking on human health are serious and in many cases, deadly. Toxic ingredients in cigarette smoke travel throughout the body, causing damage in several different ways. The most alarming fact is that cigarettes do not only affect the smoker but it also has adverse effect on the people who are nearby. It is really injurious to Pregnant women and children. The Nicotine of cigarette reaches the brain within 10 seconds after smoke is inhaled. It has been found in every part of the body and even in breast milk. Therefore, even infants are being affected by the cigarettes. Smoking also affects the function of the immune system and may increase the risk for respiratory and other infections. The body produces antioxidants to help repair damaged cells. Smokers have lower levels of antioxidants in their blood than do nonsmokers. Tobacco smoke damages almost every organ in your body, says Surgeon General Regina Benjamin. In someone with underlying heart disease, she says, One cigarette can cause a heart attack. Smoking has deadly effect on the society and environment. For a momentary relaxation, they are taking up this habit. It also creates adverse effect in their family life. Most of the people in our country live below the poverty line, and they are the main customers of cigarettes. Though they have economical problem, they cannot get rid of the habit of smoking as it becomes an addiction to them. So they face economical problems. Most of the divorces in the world are circuitously dependent on the habit of smoking. It is argued that, cigarettes cannot be banned in a democratic country as people have their right to smoke. The smokers might say that they are aware of their own fate and they can handle it. But I say, the smokers can do harm to themselves, but they have no right to harm common people. Moreover, the children of our society, whom we see as the future of our society, are also suffering. We all know that there are already some laws on smoking. For example, In Bangladesh, smoking is completely banned in certain public places and workplaces such as healthcare and educational facilities and on certain forms of public transport. The law, however, permits the establishment of smoking areas or spaces in many other public places and workplaces. But if we look at the current scenario we may know that a very few people are abiding by this law. Most of the public places are being used as the smoking zone. Again, on the cigarette packets there is a regulatory message that â€Å"Smoking is injurious to health. To the smokers this message is nothing but a mere fancy design on the cigarette packet. So this is not helping the common people. And this is a benefit to those tobacco companies like BAT (British American Tobacco) who are making millions and millions of profit by the year end. I personally think this is just a banality of our society. Therefore, I seriously think that these laws cannot do any benefit unless smoking is made ill egal for good. The Government should made strict law and apply this law so that we can hope for a better future.